Photographing old barns and relics
Paint is patchy at best: windblown, water stained and sun bleached. Abandoned relics of the past: barns, sheds, field racks and plows. They have been forgotten by time, continually being torn down by gravity. ART in the rough!
A favorite passion of mine is photographing the past. I agree with the saying that when you click the shutter and make an image you are preserving a moment in time.
I am talking about old weathered barns, out buildings, abandon trucks and farm equipment. When I come across an old homestead forgotten by time I can’t wait to take pictures. For me, it’s about making ART, something I’d be proud to hang on my wall.
Finding locations of barns & relics
Keep your eyes open when traveling to find something you want to photograph. Also ask around. You’ll be surprised how many people in your community know someone who has an old barn or abandoned truck rusting in a field somewhere.
Do searches in Google Earth or Google Maps. Turn on the images and see pictures taken by others. If you find something you like, go there and take your own shots. Add something special that makes images uniquely yours.
Best times to photograph barns & relics
A lot of the old barns and relics lack color. No problem if you plan to make black and white photos. But even black and white can benefit from good lighting conditions.
The Magic Hour
There is a special time of day called the Magic Hour, also known as the Golden Hour, when the angle of light is low and the sun gives off a warm glow. It occurs one hour after sunrise and one hour before sunset.
There is a huge payoff for getting up early or staying out late with your camera. It’s incredible what the warm golden light of the Magic Hour does when mixed with faded weathered wood, or rusty abandoned equipment.
Right after a storm
Taking photographs when a storm is clearing can add a lot of drama to your pictures. Many times after the rain stops and just before the sun goes down, the sun shines through the rain clouds. It can produce a warm and incredible yellow light. Sometimes you can even catch a rainbow.
Add elements to the composition
I always preach adding elements to your image. It can change a picture of just a barn to a picture of a barn in the country in the spring after a storm. Your picture needs to tell a story. And since we are taking pictures of barns and relics including some of the surroundings tells more of the story.
Let’s say we are going to photograph a barn, the elements could be anything from a tuft of grass, to a barbed wire fence; maybe some dramatic clouds, the moon, a cow, an old truck, even a person; a little color here, a sharp edge there, a leading line in the center.
Including elements not only help tell the story of the subject but can improve composition. It is up to you how you choose to use elements but they really do add to a scene.
Weather and Seasons
Weather can be a friend and a foe. Wait a foe can be your friend too. Make the best of whatever the conditions.
For instance, if you go for a sunrise shot and it starts raining, try and get some of the first drops of rain on your subject, maybe a little FOG in the back ground. Inclement weather can really add a unique mood.
If you have a favorite spot, return to it again and again. Shoot all four seasons. Photos will be especially nice if there are some trees you can use as elements. Shoot first morning light and last light of the day, as well as rain and snow. Go back at least every couple of years. When your subject has returned to mother earth, you will have chronicled time past like no other.
Lens: Wide or telephoto? Use both!
I use focal length to control the size of the objects I use as elements in the background. You can dramatically increase the size of the moon and mountain ranges in relation to the main subject by using a telephoto. Back up from your main subject so its size is what you desire.
Use a wide angle like 10mm to 24mm to hide objects you do not want to see such as roads, houses or power lines. Wide angle allows you to get up close and create a very dramatic feel. Don’t forget to include some elements in the foreground and the sky especially if there are clouds.
I use a tripod 90% of the time and a cable release to trigger the shutter. One reason is that it slows me down and makes me think before taking a shot. It allows me to compose without losing my starting point if I move. Using a tripod allows me to control my depth of field without having to worry about shutter speed. It also helps make images crisp and clear.
A polarizing filter is a must if there are blue skies. I actually leave a polarizer on my camera all the time as it helps enhance color.
Capture bits of the past before they disappear
We are surrounded by bits of the past. They are like time capsules that are slowly being folded into the land soon to disappear for good. The days are numbered to photograph these before they are gone forever.